Uneasy Alliances tw-11 Read online

  A blind servant stood next to the hearth, and across from the lounge on which he lay was an ornate chair, a throne really, in which sat someone heavily robed and hooded, a someone whose eyes could be seen glowing redly out of the darkness of the hood.

  "Master Feltheryn," a voice said amiably from under the hood. It was a young voice, but he could not tell (and that bothered him!) whether the voice belonged to a man or woman. "You are not really here. I trust you realize that?"

  Feltheryn had not, but he nodded in assent since he seemed to be expected to not only realize it but understand it.

  "Very good," the voice said. "I thought an actor would understand such an illusion. Such a way of communicating. I am Enas Yorl, a resident of this town who does not get out much for reasons which I may later choose to explain. I have chosen to come to you in this manner to request your help in alleviating my boredom at being so cooped up within my house."

  Now this Feltheryn understood. The way the man shadowed his countenance with his hood, the discretion he showed in conducting the interview, were symptomatic of many who suffered some deformity.

  "You wish me to make some special arrangement at the theater," Feltheryn said. "Something in the nature of a draped box, where you may see without being seen; is that it?"

  "Do you then know of me so quickly?" Enas Yorl asked, and his voice began to change, not as to tone but as to timbre. This fascinated Feltheryn greatly, for it did not seem to be a deliberate alteration such as he, himself, would have made.

  "No, good sir, only of others who have asked a similar boon. The effects of a pox upon a beautiful lady, the loss of looks that comes from war ... It is not such an unusual request. In Ranke we reserved a box with curtains specifically for such a need. I think perhaps we might make one here as well, though I had not expected its requirement so soon."

  A laugh came from the hood, but even as it bubbled forth the laughing changed, and when next Enas Yorl spoke it was with a rough and guttural tone like that of an experienced soldier. Feltheryn instantly envied the man his remarkable ability!

  "You do not know of me, that much is plain! And I think that I shall leave it so, for you have made me laugh by your innocence. Soon enough shall you leam. But then again, your assessment of my situation is not incorrect. Return to your rest, Feltheryn Thespian, and consider that you have the best of the bargains a man can make: for you change form at will, and can take off the masks you assume. Now sleep!"

  Feltheryn wanted desperately to pursue the conversation and stay in the presence of Enas Yorl, for at that moment he observed that his interviewer was not only seeming to change his form somewhat under the robes, but to change his mass as well; and that was a trick he would dearly love to leam. Playing Roget the Hunchback was one of the greatest accomplishments of the stage, not because of the powerful emotion of the role but because of the difficulty of acting while strapped into the elaborate harness that simulated the deformity. He was about to plead his case for study with Enas Yorl when darkness intervened and he was awaking in his own bed, his arm thrown protectively over his lady and the morning sun pouring through the casement.

  He moved his hand gently back, so as not to disturb her beauty rest, then climbed out of bed and dressed quietly.

  He was in the small kitchen heating water for tisane when he heard the door of the theater open and close. That would be Lalo the Limner, come to paint the next set of flats and the periactois for the auto-da-fe in Act Three-

  There was certainly nothing more impressive in all the world than the illusion of fire on stage, and nothing harder to accomplish- Feltheryn had chosen this time to bring about the miracle through the use of periactois -three-sided columns with different paintings on each side-which could be revolved. There would also be ragged strips of cloth dyed like flames which Lempchin could waggle furiously by means of strings descending from the flies. The strings would not be visible, and in the flickering light of the onstage torches the effect would be terrifying.

  The vision so captured Feltheryn's early morning imagination that he quite forgot the kettle of boiling water and went to get his script and notebook, adding several details which he thought would improve the stage picture. He barely noticed when Glisselrand put the pot of tisane and a clean cup at his elbow, and with it a plate of freshly scrambled eggs, cheese, sliced bread from the previous day, and a pot of rare red jelly made from the legendary oranges of Enlibar; of which they had a dozen left in trade for seating when (hey had played The Steel Skeleton, a play which many assumed to have been written by an Enlibrite wizard, and which the Enlibrites would travel fantastic distances to see.

  He was roused from his deep reverie and study of the text when an unfamiliar voice echoed in the theater, followed by Glisselrand's most opulent tones.

  "I only came to bring Lalo his midday meal," a woman's voice said. "But I confess I did hope to see if it was you. It's been many years, but how could I forget? While Lalo was working on the painting that won my hand there was nothing for me to do, so I came to see the play. I had seen you do a piece before the tent, so I knew it would be good."

  "Why yes," said Glisselrand, and her voice held all the charm and delight that only an actor can know when remembered after twenty years. "What play was it that we did?"

  "The Master Poet," said the woman, whom Feltheryn now took to be Gilla, Lalo's wife. "It was so personal, at that time, for your situation was much like my own. When I came away I felt as if my whole outlook on life had changed. People looked so different! I felt so differently!"

  Feltheryn smiled to himself. Yes, the plays worked their magic in strange and subtle ways. And that play was a comedy of love, a comedy of love between the generations. But even then he had chosen to play the older man, the lovable shoemaker who could have the young girl, but who chose wisely to let her love the younger man, the man of her own generation.

  "I am so pleased that you remember my performance," said Glisselrand, and Feltheryn knew that it was true. He tried to hark back in his mind to that distant day, to remember some trace that would lead him down the path to a sensual recall of time and place, but it was hopeless. He had done The Master Poet so many times that one performance blended into another. The sunlight falling on flowers that his mental search prompted could have been in any of a hundred small towns. The play was too universal to attach itself to time and place. Only the first time he had done it was clear in his memory, and then he had not played the older man, but Dainis, the apprentice who danced and fought . , .

  The King recalled him to the page and Glisselrand and Lalo and Gilla faded into the paint of the periactois like soft music played behind the potted palms in the Emperor's palace. His hand shot out into the air, retreated, his lips moved, and anyone watching might have thought him in the grip of some seizure as he moved in slight indications of the broad gestures he would use upon the stage.

  It was much later when he came to the realization that he was eating his supper, not his breakfast, and that he had been absorbed for the whole of the day. He carefully set the script aside, finished the boiled turnip with butter that was the last of the food on his plate, and washed it down with the watered wine that Glisselrand had provided. He was not up to the full strength stuff anymore. Then he stood and stretched his very tall frame, forcing air back into the stagnant blood. It was,, he considered, time to visit the Vulgar Unicorn.

  Snegelringe and Rounsnouf were already there, drinking at a table in the company of a handsome young man with shoulder-length glossy black hair, a man dressed far too fine for the likes of this low dive, Feltheryn observed as he entered unobtrusively and looked over the place.

  And yet, low though the dive was, it was not without merit. He thought of the many taverns he had entered over the years and the general lack of lustre they displayed, and he decided that perhaps Rounsnouf was right, the place was a treasure house. There was a certain dark color that crackled with hidden decisions, a subdued excitement that spoke of desperation. He spied
out the barkeep and headed across the room, then dodged deftly as a scrawny, heavy-lidded man who feigned sleep at one of the tables tried to trip him without seeming to.

  "It would seem that Hakiem does not like you," the big man behind the bar said.

  Feltheryn had assumed his dodge deft enough that nobody would notice the interchange, but that was clearly not the case. The eyes of thieves, he reminded himself, were trained in much the same techniques as those of actors, to see and learn what was not always apparent.

  "Now why should that be?" he asked, drawing out a small coin and putting in down.

  "He views you as competition, King of Players," said the barkeep. "He is a storyteller in the streets. What will you drink?"

  "Half water, half wine," said Feltheryn. "That is foolish of him, for he will be able to tell a thousand tales to each play I perform. And the stories we offer are different."

  "Half water?" the barkeep asked, and his look was of the greatest contempt.

  Feltheryn drew himself up tall, taller than the barkeep though not so broad or strong: taller than anyone in the room, though probably thinner than anyone as well.

  "I am an old man, in case you have not noticed," he said with dignity. "My body does not move as quickly as it once did, nor do my guts digest as well. I will pay you as if the whole cup were wine."

  That settled the matter and the barkeep gave him what he wanted.

  "I will pay for something else as well," he said after he had taken a drink. "Something within your proper duties but which might be distasteful without the gold."

  "And what is that?" asked the barkeep suspiciously.

  "By now you know Rounsnouf, my comedian," Feltheryn said, gesturing toward the table where his actors were so engrossed that they had not noted his entry. "I fear that he knows this place better now than he ought, at least for the welfare of my plays. I will pay you a fit sum if on certain nights, when we are to perform, you will forbid him entry until the play is done."

  "And what's to stop him drinking elsewhere?"

  "It is not the drink he values in this place, it's the people. I do not think he will find such a ripe assortment elsewhere in Sanctuary, and if he knows that he can come here but for play nights, I do not think he will feel abused."

  The barkeep named a price, Feltheryn dickered it down (though it was within reason) and the bargain was struck.

  "But you must tell him what you've done," the barkeep concluded.

  "Just so," said Feltheryn, finishing his drink and gesturing for another.

  His cup refilled, he made his way across the room, avoiding the table of Hakiem, and joined the party. Rounsnouf and Snegelringe introduced him to their new friend, Hort. then they all swapped stories and poems for a while. Feltheryn did not tell Rounsnouf what he had done until the next morning, when the little comedian took it in stride.

  "Would that the gods," he said in acceptance, "were so steady of will as a director!"

  The final piece of planning involved extra bodies, for The Power of Kings was a spectacle play and the effect of spectacle was achieved largely through filling the stage with elegantly clothed people. Feltheryn had taught many a young actor the importance of a walk-on role by citing the case of the handmaiden in The Murder of Queen Ranceta, a part which gave the young woman playing it but a moment on stage but without which the play could not exist. (It was the handmaiden who delivered the tray with the fatal flagon of poisoned wine, and without the poisoning there was no play!) Now the question was where to hire attractive young women to don the robes of court ladies, and where to hire young men to wear the garb of court gentlemen.

  Feltheryn asked Lalo, who certainly should be able to ferret out beauty if anyone could, and Lalo asked his wife Gilla, for he was not confident in the enterprise. Gilla suggested that Feltheryn talk to Myrtis, the proprietrix of the Aphrodisia House, with the admonition that the women who worked there were above average in looks for their trade; and a vote of confidence in their honesty to their employer. Feltheryn did as Gilla bid and was delighted to find that Myrtis could not only supply him with lovely ladies but knew where to hire young men just as pretty and reliable to wear the beautiful clothes he promised.

  It was not long before the theater neared completion, before the sets were painted and dried, before Glisselrand had brought in seamstresses to help her finish the arduous task of building the last of the costumes.

  Actual rehearsals got under way, the piecemeal chunks of the drama were glued together into scenes, then acts, then the ladies and gentlemen of the evening were called in (by day, so that they could continue to work nights until the opening) and the grand sweep of the drama was stitched in its final glorious pattern.

  Feltheryn ceased to sleep much for even after so many years an opening night excited him. He ran lines in his mind constantly, missed, re-ran them. He worried over the success of his new theater, he worried over the nuance of each line in the play, he worried over things that a week before would have flowed by him like mist in the night. He took to dressing in a shabby cloak and wandering the streets, hunched over so that his height would not mark him, and listening to the crowds.

  Were they talking about the theater? About the play?

  If not, something must be done.

  He longed for the days when the mere fact that he and Glisselrand slept together without benefit of marriage was sufficient to titillate the masses. In those days there had been no difficulty in drawing a crowd. The pride of the youthful Rankan Empire had filled the streets of Ranke with pleasure seekers, and the craving of a young empire for respectability had made scandal easy,

  Scandal in Sanctuary would be hard work, he thought.

  The theater was decorated within with banners and garlands of flowers made of gayly colored silk, and the night before opening they decorated the outside as welt. It must be a festive occasion, and it was to be such a novelty in Sanctuary that all kinds of people offered help. Molin came by and asked that they move virtually everything movable, to make sure it would work. Myrtis stopped in-at an hour unknown to a woman other profession-and assured Glisselrand that she and her ladies would be bringing trays of sweetmeats for opening night. A wagon pulled up and unloaded several barrels of excellent wine, courtesy of the as yet unseen prince. It seemed as if nothing could go wrong.

  Feltheryn retired that night with only the slightest anxiety, and sank immediately into a sleep filled with naming vistas, tragic emotions, and thunderous applause.

  The actors slept late the morning of the opening, as was usual. Days of rehearsal had now to be traded for nights of performance, and the energy required for such was enormous, particularly of people who had reached the ages Feltheryn and Glisselrand had. Lempchin brought them breakfast in bed, a tradition which they indulged despite the cleaning which the kitchen would require after the boy's attempt at cooking.

  Snegelringe came in and Feltheryn complimented him on his performance at the dress rehearsal: "I think you have the role at last," he said. "The way you walked was perfect! Just the right balance of nobility and indolence for KareL"

  "I was pleased with that myself," said Snegelringe. "Actually, I owe it totally to Rounsnouf and his fascination with that tavern. I was casting about for a model and one of his friends, a dark young woman who fights as a gladiator, told me she could show me a man very much like Karel if I would attend her. I did, and we rode to a brief hunt. Out on the hills she pointed out some noble dandy and his guards, and even from the distance I could see that he was what I wanted for the part."

  "Who was he?" Feltheryn asked, sipping at the tea which Lempchin had made too strong. He much preferred tisane.

  "I've no idea," said Snegelringe. "I asked her, but she laughed and said it were better I did not know, for he was not the kind of man I would enjoy knowing."

  Feltheryn furrowed his brow. It was not likely to be a source of difficulty, but he preferred to know from what hand all the cards in the game had been dealt.

  "Will
she be coming to the play?"

  "She says she would not miss it for the world; especially once I had told her Prince Kadakithis and the Beysa would be there in the newly flocked box. She said she would be bringing several other ladies as well."

  "Ah, good," said Feltheryn. "The more nobility the merrier!"

  "The house will glitter like Midwinter Festival in Ranke," said Glisselrand nostalgically, and Feltheryn detected just the slightest regret in her voice. It had been good in Ranke with the Emperor's support.

  She threw the covers back dramatically and sat up in the bed.

  "And I." she announced, "must glitter twice as bright! Lempchin! Go out to the herbalist and get me a box of henna, my hair is beginning to show grey!"

  That buzzing, casual time before the opening passed, the afternoon when there was nothing to do but a thousand tiny things that had to wait, then had to be done. The blue hour came, the stars began to prick the sky, and Lempchin lit oil lamps on the front of the theater. The inner doors were closed and the outer doors were opened, and Lempchin prepared to sell admittance.

  Feltheryn headed for his dressing room, stage left, and prepared to put on his makeup. He did not need as much as he once had. Now the job was to make him seem young enough for the part of the king. Once it had been a task to make him seem old enough.

  He was part way through when he heard the voice of Hort outside his door, and with it that of Rounsnouf.

  "But you could wait," Hort said. "He will still be there later!"

  "I could, but I won't!" said Rounsnouf, and the voices moved past the door to Feltheryn's dressing room, toward the back entrance of the theater.

  Feltheryn felt a moment of panic, dropped the sponge with which he had been applying rouge, and leaped to his feet. He hurried out into the passage, but it was too late. The door was closing and Rounsnouf and the storyteller were gone!